Obvious answers to obvious questions

CBS46 Atlanta asks: How will MARTA ridership change with I-85 open? In spite of Keith Parker’s diabolical efforts to destroy roads, induce sinkholes, and cause agonizing gridlock throughout Atlanta roads to boost MARTA ridership, the answer to the question is about as obvious as finding out Cobb taxpayers will be on the hook for some Braves-related expenses despite countless promises that they wouldn’t.

Errbody ‘gon get their asses back in their cars and back on the streets and in no time, clog up I-85 and sit in traffic rather than ride MARTA.

I mean, the proof is already in the pudding, as it’s not even been one full day, and MARTA stations are reporting a wealth of available parking spaces, despite the fact that just weeks ago, ridership was up massively and warranted the need for additional parking.  In that regard, I actually kind of feel bad for MARTA, because they seemed to go all-in with trying to improve service and become the commuting savior the city needed, even if they probably were the ones behind it in the first place.

But $3.1 million reasons existed why the I-85 repairs were going to get done ahead of schedule, and I have to imagine a guy like Keith Parker is incensed with the notion that such a generous bonus came into play to get people to actually do their jobs in an expedient manner.  He did so much, destroying roads, causing gridlock as well as improving MARTA ridership, and now the whole plan kind of goes to pot now that I-85 was repaired as fast as it was.  It wasn’t even adequate time for riders to reinforce and get used to MARTA being the norm, and their asses are already back in cars, preferring to slog through traffic and have the freedom that cars bring, rather than ride MARTA.

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Thoughts on Get Out

Recently, I just watched the film Get Out, which came highly recommended by just about everyone.  Needless to say, when everyone is saying it’s a great movie, and then you start seeing/reading things about how it’s getting rave reviews, most notably the 100% rating on Rotten Tomatoes, then the bar is being set onto some skeptically high heights.

To cut to the chase, I did think Get Out was a really good movie.  It’s well acted, thought-provoking, with great timing on comedic moments to break the tension and levity of the constantly escalating conflict of the story, with some pretty good twists because everyone loves twists in the plot.

Worthy of a certifiable fresh rating on snarky websites like Rotten Tomatoes?  Definitely.  But to be given the sheer volume of critical response it received?  I think it’s a little overblown.  Frankly, after the film ended, I couldn’t help but feel like, especially given the sheer nature of the entire film, that there’s a prevalent aftertaste of white guilt involved in how the film was so universally acclaimed.  I feel like I could see clear as day the irony of a film that touches on white guilt on almost an anthropological way is applauded by the vastly white majority of popular media, who watched it undoubtedly in an anthropological manner.

It’s a very good movie, don’t get me wrong, and I would love to see what Jordan Peele does next in the future.  But maybe it’s because I’m in a minority group substantially more minor than blacks in American society that I just don’t see anything about how white people treat black people for me to be apologetically lenient with my judgment of a film over.