The Mandalorian has what a lot of Star Wars lost sight of

It was kind of interesting watching through The Mandalorian leading up to, as well as after watching The Rise of Skywalker.  Going into The Rise, I can’t say with much certainty that I was particularly looking forward to it other than the fact that there’s always some sort of nerdy obligation to see Star Wars films fairly immediately upon their release.  In contrast to after watching the first two episodes of The Mandalorian, I bought in, and as Disney+ released them at an agonizing weekly episodic pace, I looked forward to each on a weekly basis.

Now it’s a little unfair and partially not quite an adequate balance comparing a television series to film, but when I sit back and think about everything I’d taken in that are all part of the Star Wars universe, the ultimate takeaway I really have is how much I really enjoyed The Mandalorian, versus how lukewarm I am as it comes to not just The Rise of Skywalker, but just about all Star Wars films released within the last decade.

In all fairness, I did really enjoy Rogue One, but when the day is over, Solo just kind of existed, and I’m at a push when it comes to the latest trilogy; The Force Awakens was a fantastic film, but The Last Jedi was pretty awful, and The Rise of Skywalker spent 80% of the film digging itself out of the chasm its predecessor put it in.  But as a whole, the decade’s Star Wars films all add up to a widely mediocre median.

But The Mandalorian, I thought was exceptional.  If I had a Disney+ subscription, I’d say that this show is probably easily the hard carry of the entire service so far, but that’s really not saying that much considering it’s basically the only piece of original content they have so far, but I guess what I’m really saying is that it’s almost worth the price of a subscription just for this show, it’s that good.

To cut to the chase, what I really loved about The Mandalorian, aside from how it was short and sweet, was that boiled down, the show simply has a heart.  They don’t waste a lot of time trying to piece together a complex plot, or weave a web of characters and potential storylines; they move in a very linear path from episode to episode, introduce characters who are immediately used, and then move right along.

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