Advent Beer #10: Tradition by Herrnbräu

Ten days in, two weeks left until Christmas, and that many more beers to go.  So far, so good.  I’m at that point in my Christmas shopping where I’ve gotten almost my entire list taken care of, but now I’m where I feel like I haven’t gotten enough for some people, and am kind of scrambling on trying to think of more things to get without breaking my back or my wallet.

I also want to go out to some stores, but I hardly have time because of baby and pandemic, so I have to show some restraint.  Besides, if I go to some stores, they’re likely to be full of people who don’t seem to grasp that we’re still in the middle of a pandemic, but then again I’m also wanting to go out and get some fairly frivolous things myself.

Speaking of pandemic, you’d think the world were completely normal, based on how many fucking people were outside my home today.  Surveyors from the county were in my neighborhood, my next door neighbor had landscapers tending to their neglected property for like two fucking hours, and then I had UPS, FedEx and the always last USPS coming and going all throughout the day, and whenever they’re near my house, my fucking dog loses her shit, and this especially sucks when my child is down for her second nap of the day.

Why the fuck aren’t people staying the fuck inside??

I digress, because at this point it’s pointless to even speculate, despite the fact that everyone already knows the answer to such redundant questions: because America sucks, and it makes me sad to acknowledge that, but it couldn’t possibly be any truer to state.

SO, I result in drinking in the evenings, not just because I have a goal in mind, working my way through 24 days of this advent calendar of beer, but because on days like today, it just seems appropriate to wind down the day with a nice cold one.

Unfortunately, Tradition by Herrnbräu, is about as forgettable as they come.  Classified as yet another new category, festbier, it makes me think it’s supposedly supposed to mean “festival beer” in which I guess it’s not an inaccurate description of Tradition, because it is the kind of light-bodied, sort of short on flavor swill that would be made in huge batches to be enjoyed at festivals, but when the day is over, really is kind of forgettable.

It tastes like a generic lager with a slightly metallic taste at the very end that I find a little off-putting, but because it’s so light-bodied and not that over-flavored, it’s easy to drink in heavy pulls, and finish fairly quickly and set myself up for a refill.  This is an easy bier to get buzzed on as a result, and I drank mine fairly quickly because I started later than I normally like, and that it was easy to drink.

Anyway, I do not rate it very high because it’s pretty forgettable in the grand spectrum of the beers that I’ve drank so far, and I’m hoping as the weekend approaches, there are some really good ones in the cache, and I would really tip my cap off to Costco or whomever put this together, if they actually paid attention to the calendar when establishing the lineup for this advent calendar.

Current Rankings:

  1. First Coral (#2)
  2. Kirta (#5)
  3. Turbo Prop (#6)
  4. Perlenzauber (#9)
  5. Jubiläumsbier 333 (#7)
  6. Zwönitzer Steinbier (#4)
  7. Hell (#1)
  8. Tannen Hell (#8)
  9. Tradition (#10)
  10. Käuzle (#3)

Kenny Omega and a tale of two feds

I was watching AEW Dynamite the other night, Kenny Omega is cutting a promo, and I’m sitting there with scrunched eyebrows and wondering why all the smarks on the internet think that this guys is wrestling Jesus?  There’s no denying that when he’s in the ring he’s capable of god-like performances, but when he’s on the mic, he’s actually really quite cringe-worthy to listen to.

There’s a very obvious reason why he’s been paired up with “Cyrus the Virus” Don Callis, so that he can be the mouthpiece that Omega clearly desperately needs.

Back a few years ago, I remember hearing rumblings from wrestling scuttlebutt about this match that just happened in New Japan that was legendary status.  I’d heard Kenny Omega’s name in passing a few times and I’ve obviously heard of Bullet Club, but I didn’t really follow NJPW much then so I knew nothing about him really.  But based on just how much buzz Omega vs. Kazuchika Okada was getting, I became curious.  It started with a few highlight packages on YouTube which were pretty good, and then I found a video of the entire match, and I remember my eyes bugging out seeing the preceding 1: ahead of the time; an hour long match, really??

I watched the whole thing, and it wasn’t difficult to do at all.  Omega and Okada really did put together a legendary match, and one that could very well stand the test of time, and be mentioned in the same breath as legendary clinics like Flair/Steamboat or Steamboat/Savage.  It broke the rubric of famed wrestling journalist Dave Meltzer’s rating system, and it was understandable why.

It served as inspiration to me to want a replica of the IWGP World Championship, despite the fact that NJPW doesn’t sell more than 1,000 copies a year, so I knowingly purchased a Pakistani knockoff, because I just wanted one for my collection based on how good Omega/Okada was.

The thing is, Kenny Omega’s general popularity was built on the reputation of a handful of matches with Okada, and his body of work in NJPW, specifically as the Bullet Club “The Cleaner” persona.  I’m sure there are superfans out there that cite his pre-Bullet Club otaku gimmicks, and when he was wrestling blow-up dolls for DDT and other wacky shit he did, but for the most part, it’s safe to say Bullet Club and the series against Okada is what put Omega on the map.

I’ve made no secret to how critical I am towards AEW, and how I think it’s really a fed geared towards smarks.  And because of this, Omega will always be safe from irrelevance there, but I can’t believe that anyone can be objective about the idea of him being able to become popular from scratch, to American audiences who don’t have any inkling of idea who he was prior to AEW.

Because I have to imagine that anyone who doesn’t know who Kenny Omega was in Japan would probably think AEW Kenny Omega is kind of lame as shit.  The lifting of gimmicks from (now) old video games, the shotgun hand pointing, the Terminator crouch before diving out of the ring, the “you can’t escape” spot; these are all kind of lame for American audiences, but were all things he could get away with in Japan, because he’s a fascinating foreigner to Japanese fans.  And the fact that he hasn’t really evolved much since moving from NJPW to AEW goes to sell a little bit of narrative that AEW is sort of like a retirement league for himself and the Bucks, because none of them are remotely trying to grow now, and are just rehashing their existing gimmicks to an audience that might not be as familiar with them.

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