Dad Brog (#110): Who knew toddler recitals were like Taylor Swift concerts?

As many parents do, mythical wife and I have enrolled #1 in dance classes, among other extracurricular activities to explore the aptitude and interest of our children to see what they might like.  She definitely seems to enjoy dance, but she’s also just three years old, so it’s way too early to tell what future lies ahead of this pathway, but for all intents and purposes, she’s nearing the completion of her first “year” of dance class.

And of course with dance classes comes an end-of-year recital, and I am looking forward to seeing my little girl up on stage in matching costumes with her peers and seeing just how well (or hilariously bad) she can work in tandem with her class.

All throughout the year, parents are pretty well-informed of everything going on with the program, and as we gear up for recital SZN (they really love to use that phrasing), emails have gone out to remind parents to get ready for ticket registration.  It turns out that the recital isn’t going to be like some local community center or a nearby high school auditorium or something, but they’re renting out an actual university auditorium, and it’ll be capable of seating close to 1,100 people.  Tickets are genuinely at risk of selling out, so we the parents are implored to be ready to register when they’re available at a specific time on a specific date.

Still, I didn’t think much of it, but when I got home, mythical wife explained to me to “be ready,” and that I should probably go get my laptop so that we could log on together.  I’m like, wtf for, isn’t this just a kids’ dance recital?  Why are we preparing for Dragon*Con hotel registration or Comic-Con membership?

I guess being part of moms groups and such have given mythical wife more insight than I have, but apparently getting our dance tickets is a really big deal, and that we should probably be very ready to go once 8pm EST hits.  But I don’t want to miss the opportunity to secure tickets for my daughter’s first recital, so I get ready to go all the same.

Sure enough, by 7:55pm, the website link we’re given to get our tickets from starts being slow to reload, and it’s clear that they’re starting to get bogged down with traffic.  8pm hits, and the button goes live, and it’s a surprising slog to get through.  The seating chart pops up, I enter our code, but I’m noticing that no matter what seats I press, there’s any reaction from the page itself.  I refresh, the site takes forever to repopulate, and the result doesn’t change.

Miraculously, mythical wife is able to get through, and secure four tickets.  However one is out of sequence, and all in all, we need five.  We solder back to the site to try and get the fifth ticket, hopefully in our row, but the site is completely borked.  I refresh and refresh, and get different results of what shows up on the page.  I get sent back to a landing and see to check back ten days later at 8 pm.  Then to check back at 9pm later tonight.  And then eventually, a crash on the page outright, and it doesn’t look like we’re going to get that fifth ticket.

Now I didn’t try and get Taylor Swift tickets when they went on sale, but I imagine it was just like what I was going through.  It’s apparent that the dance company entrusted their ticket distribution to a company that might as well have been Ticketmaster for as poorly as they go overwhelmed by a bunch of local parents who just wanted to get tickets to see their kids dance.

In all honesty, I’ve had better luck securing hotel rooms for Dragon*Con than I did trying to get tickets for my daughter’s dance recital.  I’ve never failed to get a room whenever I’ve tried, but in my first try to get dance recital tickets, I get shutout.

Apparently, this is the norm for this particular dance company, and if my kid(s) end up liking it and sticking it with the foreseeable future, I suppose I should get ready to get owned again and again for years to come.