Happy recognized Moloch Day!

I have a dream . . . to eat your eternal souls!

Nothing represents America better than to have a day recognizing Moloch, the Prince of Hell, taker of children, he who demands endless human sacrifice, and the original and almighty entity behind all human evil. What, you don’t know what I’m talking about? MLK day?

Enlighten yourselves:

“There’s the M, what’s left of it. And the L, and the K.”
“What the hell does that mean?” Deborah demanded.

“Moloch,” I said, feeling a small irrational chill just saying the word here in the bright sunshine. I tried to shake it off, but a feeling of uneasiness stayed behind. “Aramaic has no vowels. So MLK spells Moloch.”
“Or milk,” Deborah said.
“Really, Debs, if you think our killer would tattoo milk on his neck, you need a nap.”

Oh, the perils of misinterpretation. Considering Moloch is just a little bit older than Martin Luther King, Jr., it’s safe to conclude that he is the rightful owner of the clump of letters known as MLK. I’ve accepted who the true MLK is since reading Dexter in the Dark, and I’d implore that everyone, moving forward do the same as well. Until lazy linguists specifically clarify that the third Monday of every January is the recognized Martin Luther King, Jr. Day, anytime anyone boasts how they have MLK Day off, I have to assume they’re celebrating the Prince of Hell, Moloch’s Day.

Thoughts on Dexter, Season 5

Going into the fifth season of Dexter, I had fairly low expectations.  The way season four had ended completely broke the television series away from the books, and in a most dynamic plot twist, which made fans of the series realize that the writers had a monumental task ahead of them with season five.  Admittedly, I didn’t think that the writers would be up to the task of topping season four.

Now that I’m a few hours removed from watching the finale of season five, I must applaud the writers and the show’s cast and crew for a very enjoyable season of Dexter.  Whether or not it surpasses the greatness of the prior season is yet to be determined by me yet, but the impression I’ve been left with upon the completion of five is one of satisfaction and enjoyment.

It started off a little on the slow side, as the television rendition of the character Dexter had some necessary deconstruction, in order to evolve further.  But once he was stripped of some of his previous seasons’ tendencies, the season really began to pick up steam.  Not just Dexter developed throughout the season, but several other characters were given opportunities to flourish and grow, become interesting, and worthy of capturing the interest of viewers.  The culmination of the finale was a little predictable, but still completely overlooked by me until afterward, but it was a satisfying conclusion.

I was pleased with the performances of Robocop, and zerocool/crash override.  I can’t say so much about Julia Stiles, as she was the only cast member I balked at upon learning of her role in the season; I just have never really cared for her.  But each were integral components of the season’s story, and in the end, I’m left with a good taste in my mouth, and looking forward to a sixth season.

If I could name a favorite part of the season though, it would have to be the screenshot above; Dexter methodically beating the shit out of an abusive father, and calmly explaining every nuance and detail of pain and suffering of his purposeful blows.  Television beatdowns are a dime a dozen, but leave it to Dexter to make it cerebral, cruel, and downright awesome.

The Magic of Fiction

So I’m watching an episode of Dexter, and it’s the Thanksgiving episode in Season 4.  Debra Morgan, beloved sister of the titular character, being the obsessive workaholic, says she’s not coming to the Morgan Family Thanksgiving dinner, because she’s still trying to crack the Trinity Killer.  So being the conniving, calculated individual he is, Dexter resorts to the dirtiest, most effective trick in the book – kids.

He orchestrates his adoptive family to make a plea to their aunt to come over for Thanksgiving, record it, and then send it to Debs, who would no doubt, be unable to resist the invitation from her step-niece and nephews.  But when it comes time for action, Dexter pulls out, of all video equipment in the world, his cell phone.

Continue reading “The Magic of Fiction”