The Power of The Rock

By now, everyone knows that The Rock is back in the WWE, presumably just for Wrestlemania SZN, but the reality is that he’s still back on television, making appearances here and there to hype up the event.

His return has sparked a lot of debate among the general wrestling community, and there are some pretty concrete sides on the field: those fans who dislike when guest stars pop up during Mania SZN, just to hype up the event, and ultimately vanish into thin air once Mania is over, and then there are fans who love it when part-timers like The Rock, Stone Cold Steve Austin, or the Undertaker show up for Wrestlemania, because they’re legends, they’re icons from their era, or whatever reason.

Typically, I’m often times in the camp of not really preferring when guests show up for Wrestlemania, because I’m of the mindset that the people who carry the company week in and week out, should be the ones to get the biggest billings at the biggest show of the year.  And in lots of cases, I don’t want to see some older performer who’s rusty, out of shape, and incapable of putting on a good show any more, having the opportunity to do so, and denying one of the aforementioned week in and week out guys in the process.

Stone Cold Steve Austin had a respectable program two years ago, but I’d still maintain that it had largely to do with the fact that a very respectful and capable Kevin Owens was carrying him, and let’s not forget all the times in history we’ve seen the Undertaker, Mick Foley, Hulk Hogan and even Triple H gear up for Wrestlemania, only to be one of the least impressive contributors on the card.

But The Rock, I have to say that he’s just on another level when it comes to drumming up excitement and hyping up a program.  For starters, mythical wife, who actually did watch a little bit of Attitude-era wrestling when she was a wee lass, heard completely independently, that The Rock was back, and put forth her own independent effort to check out his first promos.

Since then, The Rock set an incendiary blaze on the internet wrestling community, diving up the fanbase entirely, and even forcing me to soften my stance on Cody Rhodes, and then adjusted based on the crowd feedback, and has gone full-ass heel mode, and has returned to his Attitude-era roots and is once again doing the lord’s work when it comes to cutting promos and building up hype for a show.

Obviously, I look forward to Wrestlemania just about every year, but I have to say that I’m really looking forward to Wrestlemania this year.  Even if it’s going to be in a cesspool like Philadelphia, I know the crowd will be hot, because Philly fans get hot for wrestling, and The Rock, being the mutant athlete he is, is sure to still be capable of putting on a decent match.

Despite the fact that when The Rock came back, I was just kind of like oh cool, I have to say that the way he just so effortlessly creates excitement and drums up anticipation for the event, is truly why he is the most electrifying man in sports entertainment.  It’s just so easy and organic for him, and now I’m looking more forward to this year’s Wrestlemania than I have in prior ones.  The card seems wildly predictable in what’s going to happen, but it doesn’t change the fact that I’m looking forward to it this far out, and that, really is the power of The Rock.

WTF is AEW doing #302

I’m not entirely sure if Tony Khan thinks he’s being clever, subtle or he’s flagrantly doing it on purpose, but pretty much every wrestling fan on the planet knew that BIG BU$INE$$ in BO$$TON was going to be the debut of Mercedes Mone.

Say what you will though, I’ve been critical about Mercedes over the last year and change, but I’m also critical because I care.  I was a fan of Sasha Banks, dubious in which the circumstances she left under, but happy to see when she re-emerged in Japan, won titles there, and even predicted her inevitable path that would take her to AEW.

And as much as I like the work possible by guys like Will Ospreay and Kazuchika Okada, their arrivals in AEW didn’t really make me stop what I was doing and carve out time to see them.  But knowing that March 13th, BIG BU$INE$$ FROM BO$$TON was going to be the arrival of Mercedes Mone, I made the conscious effort to carve out time from my generally time-starved life, to tune in and watch, because I was looking forward to seeing Mercedes Varnado, back in professional wrestling.

However, having watched BIG BU$INE$$, my thoughts were making these posts pondering whatever the fuck AEW is doing, because I just have a hard time wrapping my brain around their general MO.  I get that I probably fall into the category that’s been so indoctrinated with how the WWE operates, that anything alternative to it just seems rather perplexing, but I’ll also say that I had no problems being a fan of WCW and ECW and to some degree, old NWA-TNA back before the days of Impact.  In fact, I’m still a fan of Impact now that they’re back to being TNA, but it’s just AEW, and now the AEW-controlled Ring of Honor, that I’m just so often scratching my head about. 

I want to like the product as their diehard fans do, but there’s just so much going on that I can’t find the ability to be a fan of the promotion as a whole as much as I just like cherry-picked aspects of the company, like Toni Storm, Will Ospreay, Daniel Garcia, and my growing respect for Orange Cassidy.  And I think it’s very amusing that the some of the guys that are doing the best work for the promotion, are all former WWE hands, like Storm, Christian, Swerve and Samoa Joe.

But back to BIG BU$INE$$, it was obvious the entire show was produced structured around Mercedes getting to open the show, as well as close it out.  Because in no logical reality should a match between Willow Nightengale and Riho be the main event of a show, especially one that had Samoa Joe vs. Wardlow and Jay White vs. Darby Allin on the card.  There are three former TNT champs, a former IWGP champion, and the current AEW champion, and they all played the undercard, just to ensure that Mercedes Mone got to close the show out, even if it meant main eventing a match between two girls who were literally Ring of Honor dark match talent not even a full year ago.

Now I was happy to see Mercedes, but I couldn’t help but feel like the arena wasn’t doing her any favors.  I felt like the acoustics in the arena murdered her entrance music, it was hard to hear the crowd actually chanting C-E-O for her, and when she got on the mic to speak, the echo sounded as if the Boston Garden hadn’t updated their equipment since Greg the Racist Valentine cut his scathing promo with terribly racist undertones. 

She cut a good promo, gave love to Eddie Guerrero, and it will be interesting to see how things transpire, because in AEW there’s either really good workers (Toni, Britt, Purrazzo) and then there’s everyone else.  This won’t be like CM Punk coming in to a sea of talent, Mercedes will have to put on her carry boots on every night, and it’ll be telling to see how she measures up to this responsibility.

Again though, I don’t think it was right to structure the entire show around ensuring Mercedes got to close out the show, especially with the talent they lined up in order to make that happen.  I know the logical program is to work in Willow Nightengale since it was her that Mercedes got hurt against, but she’s still green as baby shit, and I can’t imagine that Mercedes isn’t going to have some PTSD having to work with the person who basically cut her entire NJPW deal short.

But then again, this is why this series of posts is titled what they are, because when the day is over, I really have no fucking clue to what AEW is doing.  And because of that, it really doesn’t matter if they have Mercedes Mone, Kazuchika Okada, or even Will Ospreay, unless they find the magic formula that gives them logical, watchable weekly programming, on top of their propensity to put on above-average pay-per-views, they’re never going to be seen as a superior product than the WWE.  I know they and their brainwashed fans insist that that’s not what the goal is, but everyone knows that’s full of shit.  They all want to have their cake and eat it too, which is that they need to be the #1 promotion, so they can all revel in being #1; but it’s never going to happen if AEW continues to operate in the manner that basically makes AEW, AEW.

WTF is AEW doing #301

Originally, I was planning on carving out some time to write about WTF is AEW doing after the debut of Kazuchika Okada on a seemingly random episode of Dynamite.  But with the impending arrival that nobody could see coming in Mercedes Mone, I decided to wait until the episode aptly subtitled BIG BU$INE$$ passed by, so that I could actually watch the product for the first time in a while before passing judgment onto it.

But going back to Okada, the man was basically the John Cena of New Japan Pro-Wrestling, the ultimate good guy character, highly decorated, and a strong worker, and it was a big deal in the wrestling community when news started bubbling up that his contract with NJPW was coming to an end.

Frankly, I figured he was going to re-sign with the company because it would be a great folly for any promotion to lose their flagship player, but news started emerging that he just mentally done with Japan, and wanted to take his talents abroad to America.  I thought it was a pretty even jump ball on whether he’d go to the WWE or AEW, but really it he was AEW’s free agent to lose.  I just thought that there was a chance he’d come to the E, because love them or hate them, the WWE is still the top of the mountain, and a career can hardly be called a career unless you’ve participated in Wrestlemania, and considering Okada was basically NJPW Jesus, you know money isn’t so much his drive as it is honor, accolade and legacy, and if really wanted those things, he would have to go to the WWE.

But as frequently boasted on the internet as well as, on-screen, AEW gave Okada 14 million reasons to come to AEW instead, and he’s also using his general comfort and familiarity with many of the workers, the infrastructure he got to see during the last two Forbidden Door shows, and Kazuchika Okada is poundsign-ALLELITE.

So naturally, they take the guy who’s basically never been a heel in his career and immediately align him with the dastardly power-tripping EVP version of the Young Bucks, and bring out Okada to be, a heel.  Sure, this will allow the Bucks to be his mouthpiece to make up for his weak English, but they’re already taking a guy out of his comfort zone and presenting him to an audience that they’re grossly overestimating at their knowledge of Okada, as this asshole from Japan who’s doing everything for the money.

And in a promotion that has Bryan Danielson, Jon Moxley, Claudio Castagnoli, PAC and Chris Jericho, among other notably active strong workers, Okada’s first feud appears to be against Eddie Kingston, a current triple-blet holder, that I personally can’t get over his sheer lack of physique and general not looking like a wrestler, to take seriously as one, but AEW fans seem to be really high on him, because I guess he gives okay promos, but still, I feel like it’s a real bumpy start for a guy the caliber of Okada, to come in and steamroll the generally well-protected Kingston.

Which in itself is going to be interesting, because Kingston has been beating reputable guys left and right over the last few months, including most of the names listed above, and it’s very apparent that he’s going to roll over for Okada, and frankly much like FTR a year ago, I think his run with multiple blets is coming to an end, as he’ll probably drop his whatever blet against Okada, followed by the ROH World Title to the still-sentimental favorite Mark Briscoe.

All I really know is that while watching BIG BU$INE$$ where there was a six-man tag match with Okada and the Bucks against Kingston, PAC and Penta, I almost fell asleep.  Sure, a lot has to do with my general lifestyle and always being tired on account of work and parenting, but also the fact that the match made little sense in terms of storyline.  I get that they’re kind of easing Okada into the promotion by having him do tag matches and learning what the crowds and the full-time AEW atmosphere is like, but they’re also putting out boring-ass product in the process.

It’s clear Okada has no idea what he’s doing as a heel, because his trademark music hits, and the guy just walks out like Dean Malenko without any of his posing or grandstanding he did as NJPW’s Rainmaker, and he just looks really lost out there.  And frankly a match with as much talent in the ring as this one was on paper, should not have been as boring and meaningless as this was.

Honestly, as big of a deal as Okada’s migration was on the internet, AEW somehow managed to take the biggest star of Japan, and somehow make him look like a luxury cog in the machine.  I feel like Shinsuke Nakamura’s transition into the WWE is the blueprint of how to bring an import over, and I feel like AEW grossly overestimated their audience’s familiarity with him, because I’m going to go out on a limb and assume the casual AEW fan doesn’t know who he actually is at all, and now they’re seeing someone who’s just kind of performing mid, and will have to dig out of a hole to earn the respect of the causals.

Turns out that I did have a lot more to say about Okada than I thought I did, because I feel like I’m at a good stopping point for this post, and can take some time later to opine on Mercedes Mone, because as critical as I’ve been about her over the last year and change, I still am a fan of hers and want to see her succeed, and on that same note, I’d rather have a post about Mercedes be solely about Mercedes, and not be buried behind a wall of text about Okada.

Happy trails, Virgil

Lonely no more: Mike Jones, better known as former WWE wrestler, Virgil, passes away at the age of 61

I know it seems like every single wrestler from yesteryear that passes away was a favorite of mine in some way shape or fashion, and after twenty years of brogging, there’s no shortage of wrestler eulogies that I’ve written in my own way, at this point.

But Virgil, this guy, was truly a guy that I can’t say was necessarily a favorite of mine, but he was something of an icon in his own way, that I was fixated with, pretty much from the time I learned of his existence until the day he passed.

When I first got into wrestling, a lot of it had to do with the fact that I actually got into a WWF video game first, the arcade version of WWF Superstars, before I actually parlayed it into indulging in the real life variant of the game on television, into the life-long fandom that still maintain today. 

In the game, the final bosses were the tag team of “Million Dollar Man” Ted DiBiase and Andre the Giant; but before you actually started playing against them, there’s like a 12-second cutscene prior to the match where you see “Mean Gene” Okerlund interviewing both DiBiase and Andre, but also standing with them was a jacked black guy in a shiny tuxedo counting money.

When I started watching wrestling, and the first time I laid eyes on the real-life Million Dollar Man, sure enough, there was the same jacked black guy accompanying him, holding the money, and that was when I first learned of the existence of the real-life Virgil.

Little did I know that he was named Virgil, as a personal attack from Vince McMahon to rival promoter/booker/wrestler Dusty Rhodes, whose real name was actually Virgil, and in only a manner that could come from Vince McMahon, he slapped basically a slave persona onto a black man and called him Virgil.

But throughout the years, it became quickly apparent that despite Virgil’s imposing stature and menacing scowl, he was tantamount to the WWF’s punching bag to the stars, and in just a few short years of getting into wrestling, I’d seen Virgil get his ass beat by Hulk Hogan, the Ultimate Warrior, Macho Man Randy Savage, and Hacksaw Jim Duggan among others.  He was a jobber before I even knew what a jobber was, a term I wouldn’t learn until like 12 years later.

Continue reading “Happy trails, Virgil”

When news ≠ reality

News: Hulk Hogan channels the power of Hulkamania, lifts wrecked car, rescues teenage driver, cures cancer while he’s at it, completely by himself

Reality: Hulk Hogan present at the scene of an accident while most likely his friend more than likely did the actual work of pulling a teenage driver out of a flipped vehicle

You’d think a story like this would get me out of my seat and prepare to strap in and mark out about how amazing and wonderful the power of Hulkamania is and how great Hulk Hogan is, but let’s not kid ourselves anymore.  As much as I love the idea of Hulk Hogan and Hulkamania living forever, the guy himself, Terry Bollea is far from a perfect human being in his own right; made no more prevalent then the NYPost giving him the professional athlete treatment, and inserting this snippet into the footer, much like a baseball player’s statistics in any story that has nothing to do with sport:

WWE released Hogan from his contract in 2015 after audio from a sex tape revealed him uttering the n-word and saying he was “racist, to a point.” He apologized for his remarks.“

I’m not sure how any of that has anything to do with being a Good Samaritan and stopping at the scene of an accident, but in the grand spectrum of things, it was still pretty cool of Hulk Hogan to stop and give a degree of assistance, up for interpretation.

I think the funniest thing is that Hogan hogs the tagline, as if he himself did a completely selfless and heroic act, and that he and only he, lifted the vehicle with his 28” pythons and the power of Hulkamania coursing through his veins, and rescued a damsel in distress.  Obviously this isn’t necessarily by any fault of Hogan himself, a rag like the Post knows what they have to do in order to draw page views.

I have to imagine the actual reality is more along the lines of his friend, who supposedly is a veteran, along for the ride, sees the accident occur, and his protect instinct kicked in and he wanted to act.  And Hogan, always the politician and puppeteer and his (third) wife probably immediately seeing an opportunity to soak up some positive press and get the Hogan name back out into the public eye didn’t hesitate to be on board.

But then you see the few photos of the scene, and it looks pretty clear that Hulk Hogan himself, in an nWo shirt no less, is just kind of standing around and watching.  The friend, who looks younger and fitter, probably is the one who did all of the work, but solely by being the celebrity in the scene, Hulk Hogan gets to absorb the lion’s share of the credit for the act of heroism.

I’m not going to shit on the Hulkster any more than this, but it’s just funny how Hogan, whether he’s trying to or not, still somehow manages to always stay relevant in some way shape or fashion, and this is a good example of it.  All things considered, it was cool that he stopped at all, because I can’t imagine that most people these days want to get involved, and are more apt to drive off and feign ignorance rather than help out.

Praise for TNA’s blet refresh

Initially, I wasn’t really keen on Impact Wrestling re-branding back to TNA.  There was just this bush league reputation of TNA that always stuck with me that involved Jarretts, Dixie Carter, strange booking, Cups for no prizes, convoluted booking, the six-sided ring and a drunk Jeff Hardy that I didn’t think was a good idea to going back towards.  I always felt that Impact was a respectable endeavor of scaling back, restructuring, reinventing, and growing back towards respectability.

Especially compared to the questionable things that AEW does, I found Impact to be the more refreshing alternative to the predictability of the WWE, and over the years, I’ve always made a point to hit up Impact when they stopped in Atlanta, and even liked their product so much, it inspired me to get an Impact replica blet, as bootleg Pakistani as it undoubtedly was.  I enjoyed what they were doing, and I respected the fact that they weren’t necessarily trying to compete with the Joneses and were out there, as a solid #3 promotion, doing their thing, letting people work, and putting out decent product.

But I kind of get it why they wanted to go back; probably if for anything, because all of the noteworthy promotions in the land are all three-letter acronyms, and being “and Impact” might’ve felt like being way too much of an outlier.  WWE, AEW, ROH, NWA, GCW, PWG… and Impact.  Perhaps there’s just something about three letters that means wrestling, and just like that, TNA is back, and the Impact name reverts to being the flagship television show.

Regardless, if there was one fun thing to come out of the rebrand was the inevitability that there would be new blets, because Impact blets sure as heck weren’t going to fly in the land of TNA.  And I have to say, despite my reluctance to accept the TNA name back into existence, as far as their refreshed lineup of blets across the promotion, I have really nothing but praise.

They did the smart thing, and refreshed them all at the same time, so they can have something of a cohesive and uniform look to them.  Not like when the WWE updates the US title in 2020, the Intercontinental blet in 2021, a 24/7 title that came and went in the blink of an eye.  I didn’t know who ZBro’s Belts was, but after seeing how great these TNA blets came out, I dug to find out who the maker was.

I appreciate that there’s both cohesion as well as variation with all the blets, and they don’t all look like the same fucking blet like Ring of Honor’s entire lineup of titles look after Tony Khan bought them.  Gold for men and women’s top prizes, red straps for the tag blets.  The X Division blet has come leaps and bounds from when it was basically just a big red X on a blet, and looks like a solid #2 prize, and I know it gets a lot of criticism mostly for its name, but I really dig the updated Digital Media blet.  I love how it has kind of a circuitboard pattern in the background, and there was obvious thought that went into its design as opposed to copying bits and pieces from Japan and UK to create a bunch of AEW midcard titles.

As for the inevitable question on whether or not I’d entertaining getting any replicas should they be available, legitimately or though Pakistan, there’s always the possibility for the right price.  I’d honestly go for a Digital Media championship first, and if I ever had the disposable income, even go after a set of the Knockouts Tag Team blets for my girls, especially since these don’t have the goofy-ass Garfield Copper font on them like the old ones did.  The others, would be dependent on if any workers appear to be doing good enough work to inspire me to want to get one, and if Nic Nemeth captures the world title, it just might be enough to get the job done.

Critiquing the IWGP Global Championship

When Dave Finlay involved himself into the program with Will Ospreay and Jon Moxley, and then destroyed both the IWGP United States and the unofficial UK championship blets, and then it was announced that there would be a new title announced to replace them outright, I held my breath with hopes that it would be a sweet design.

The IWGP World championship that looked like the X-Men’s Phoenix Force emblem was kind of a letdown in my opinion, and came at the cost of merging out the old Intercontinental championship in the process.  The NJPW World Television championship that they unveiled was without question one of the worst blet designs I’d seen in a while.  The IWGP Women’s championship looked like a repurposed Jr. Heavyweight blet from 1996.

And to be fair, as much as I liked how flashy and gaudy it was, I know that the US championship that Finlay destroyed was also not really that well received by lots of smarks and blet aficionados, but I was still a fan, and was sad to see them go, although I understood why they were doing it; Ospreay brought in a variant of it, plus he was on his way out, so the company had to do something to consolidate the blet’s position in the company. 

Frankly, I was really hoping they’d just bring back the Intercontinental championship, because much like in the WWE, the IWGP Intercontinental was often seen as the workhorse blet, that usually the most talented worker gets, and has been held by so many greats, most recently from Kenny Omega, Shinsuke Nakamura, Chris Jericho to Tetsuya Naito.

So when they unveiled the IWGP Global Championship in preparation of Wrestle Kingdom, I have to say that my knee-jerk reaction was that of kind of a push.  It wasn’t bad by any stretch of the imagination, but at the same time, my breath wasn’t taken away when seeing it.

Now I’m not saying all new blets need to be radical and unique, but I thought the Global blet was kind of vanilla.  The hard squared plates in the center and the fairly generic globes as the side plates.  It’s funny because I think AEW lifts a lot of design cues from NJPW’s blets, but the hard vertical lines of the Global make me think that they borrowed cues from AEW for a change.

What I really liked about the old Intercontinental blet is that it was nearly a clone of the old World championship, in terms of the centerplate.  It had fairly generic side plates as well, but the fact that the centerplate was fairly similar to the World, it was metaphorically stating its position as a blet close to the tier of the World championship.

The IWGP Global championship, most definitely looks like a tier below the World championship now.  Make no mistake, this is a true #2 blet, and a guy like David Finlay holding it is still very much a #2-tier talent, even in an absolutely decimated roster like New Japan’s current state is.  Even Dolph Ziggler Nic Nemeth showing up to immediately put his name in contention for this new blet couldn’t save the fact that it still seemed kind of mid.

I don’t think I’m doing a great job of articulating it, but it just doesn’t really look or feel like a big deal, like the #2 blet in New Japan Pro Wrestling really should feel like.  The design is classic, but it’s safe and kind of boring.  It feels like a blet that’s going to be passed around by guys who get over with character work, tenure and obligations to free agent acquisitions, like David Finlay, TJP or Jeff Cobb, and doesn’t seem like it’s going to be held by guys who seem like they’re on the rise to greatness, and would be the guys to elevate the title, like Nakamura and Naito did with the old Intercontinental.

Overall, the blet is fine.  But compared to the relatively short histories of prior #2 blets in the company, it already looks and feels like it will never be more than a true #2, and not one of those blets where it can someday feel like the guy holding it really does seem like they’re on the cusp of becoming great.  It’s like with the recent roster decimation recently, it’s apparent that NJPW is headed for a downswing, but it’s also as if they prepared for such by introducing a downwardly-safe and vanilla championship for the promotion to wield, and for an inherently prideful and honorific Japanese company, such just seems kind of mediocre in the big picture.