Riot Graves gun construction: 01

I’ve been a bad builder what with my lack of any sort of updates in regards to current prop projects.  Chalk it up to a combination of the coming and going of Comic-Con, family-related matters that needed to be tended to, my own apathy of not wanting to work on things after work, and my own productivity that couldn’t find the breaks or time necessary to take photographs and make notations on each and every step of what I’ve been doing.

Needless to say, I’ve recently gotten back to work on the construction of the Riot Graves gun, because, Dragon Con is now like three weeks away, and aside from the gun, I’ve got a few other things I need to make, and not nearly as much time as I’d like to have in order to do such.

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Well, this is awkward

So, like a day after I pretty much anoint what I thought was my favorite Miss Fortune, I come across this Miss Fortune costumer. And it’s kind of one of those situations, like a Ben Stiller-Owen Wilson kind of movie, where a guy gets engaged to a really good looking woman, but like at the night of the engagement, he sees/meets a new woman that really piques his interest, and then the awkward plot of the film is born.

Now I’ll stand by my opinion that I really like the photo of the first Miss Fortune costumer, but I have to say that in comparison of total packages, this one well, blows her away. Eviscerates her. I say with an awkward cringe that it’s not even really a comparison. It’s one of those situations where I guess it’s kind of good there’s a language barrier and the fact that my brog gets probably like six hits a day, with four of them being me, because she probably won’t see these remarks.

But I think it’s pretty much a layup that as far as my little world is concerned, we have a winner of Miss Fortune costumers here.

Aside from the obvious aesthetic appeal on all the obvious accounts, I simply think she just, nails it. The more I look at this particular picture, the more I appreciate it.

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Riot Graves Gun construction: Intro

I haven’t yet finished the LeBlanc staff, but it’s because I’m at a stage in the build that requires some help outside of my realm. That being said, time waits for nobody, so in the mean time, it’s time to start on my other project prior to Dragon*Con this year. And this one, is actually for me, since I’m going to dress up as (an Asian) Graves again this year, but this time bust out a Riot Graves skin.

But in order to be Riot Graves, that means I would most certainly need to make the Riot Graves gun. The good news for me is that compared to the Mafia Graves’ Thompson-style gun, Riot Graves’ gun is theoretically easier to construct. Not to mention the fact that it’s almost exclusively all one color, it should eliminate a lot of complexities of trying to mimic wood grain, and add gold accents here and there.

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LeBlanc staff construction progress: 08

This particular progress update isn’t anything that spectacular when it comes to any fascinating build processes or anything, but at the same time I’m very happy with this particular update, because it pretty much marks the end of the core shape making and Shell Shocking. At the very end of it, I have a pretty good baseline of what most of the staff is going to look like towards the end, and if I had to put a number on top of it, I would say that I am around 80% complete.

But since I’m trying to do my best to be dutiful and show as much of the process as possible, it still constitutes as an update that shows how we came to be at this current stage of the construction process.

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LeBlanc staff construction progress: 07

So with the crown of the staff just about finished, it’s time to get to work on making the other components of the staff. At this point, what is left is the, what I’d call the neck, as well as the base of the staff, and their corresponding components.

My plan of execution was just like everything else I’ve made thus far – create the shape in foam and then Shell Shock it. Fortunately for me, these shapes are a little more straight forward, and not nearly as complex, so the sanding process, I don’t anticipate being as big of a bitch.

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LeBlanc staff construction progress: 06

Today, we dive into the wonderful adventures of sanding things that have been Shell Shocked. I would also like to point out that if you could hear me saying that phrase, it would be dripping in sarcasm and with facetiousness, because it is fact that sanding things, especially with complex curves and intricate patterns, absolutely blows.

But it is also an integral part of the construction process, and as much as I’d like to avoid it, it really cannot be. At least not without having an end product that I would probably classify as sub-standard.

So, due to a lot of the complex nature of the design of the staff, I knew that I would be a whole lot of hand sanding, to get into the little cracks and crevices of some of the parts of the crown. And when I hand sand things, I like to do it in parts, as in using a very high-grit paper to really smooth things down, and then gradually working down from 60 grade to 320 grade. I’ll confess that I grew so tired of sanding, that I eventually skipped using 120 grade altogether, except in troublesome spots that refused to smooth down.

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LeBlanc staff construction progress: 05

Well, that didn’t take as long as I had anticipated, I suppose. I guess when I actually convince myself that I certainly do have the time to apply more Shell Shock, or that the fast formula really only takes about an hour to cure, then I can be tenacious and push forward. Needless to say, as of now, it’s turned out about to what I had expected it to turn out like, and there’s still a lot of work to be done.

The optimistic side of things is that once this part is done, the remainder of the actual staff part doesn’t seem at all that difficult, as I have been thinking about the next steps as well.

But here’s where we stand currently.

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